Abstract

Imagining new curatorial approaches to revisit Francis Bacon’s work offers a challenge in more than one way, maybe all the more so when the exhibition is thought through for a foreign public. Bacon en toutes lettres, on view at The Centre Pompidou in the Autumn of 2019 and early weeks of 2020 was meant to be one of the highlights of Paris’ artistic season—a season that will no doubt remain one of the most stimulating ones in recent years. When elaborating the show, Didier Ottinger, deputy dir...

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