Abstract
Unlike the memory of the querulous and time-bending White Queen inThrough the Looking Glass, mine befits her complaint, inclined as I am to thinking backwards when asked to contemplate the state of our field. Backwards, then, I go in the first section of this essay, after a few opening comments on the situation of our field at the present moment. Thereafter, I describe the emergence of cultural history and summarize some of its strengths and weaknesses, to the end of reflecting on its implications for intellectual history.
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