Abstract
This article presents an exploration of the discourse-level phenomenon known as “backwards talk” (pervasive, highly creative irony) in Smith Island, a small, endangered dialect community in Maryland’s Chesapeake Bay, on the U.S. mid-Atlantic coast. For example, island residents might use the phrase “He’s barefoot!” to indicate someone’s shiny new shoes. The article examines how this phenomenon compares with irony more generally; how it patterns across generations and contexts; how important it is to island residents, who view backwards talk as the defining feature of their dialect; and why the feature has gained such importance in the face of dialect loss—and potential loss of community continuity as well. Because backwards talk is irony, it has important solidarity functions. As playful, nonliteral language, it serves as a symbol of the performed “islandness” that islanders increasingly take up as they come into more and more contact with outsiders. Finally, as a means of offering critical evaluation of outsiders, backwards talk can be seen as a form of antilanguage or counterlanguage, with a central function of resistance against outside forces.
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