Back to Mangu Zambiri: Art, Politics and Identity in Northern Sudan

Abstract

This paper is an attempt in cultural criticism from a certain aesthetic standpoint to investigate how the arts can give insight into the identity problem of Northern Sudanese. Given the archaeological and historical refutation of migration theory and the consolidation of the notion of the ethnic continuity of the central riverain inhabitants (the Ja'liyyin) as Nubians, the paper disputes the other characterization of them as a "culturally" Arabized Sudanese. To prove this, the long neglected aesthetic dimension as an essential component of culture is underlined. Challenging certain Arabocentric musical and literary discourses, the "Sudanese" nature of some aspects of Northern music and poetry is stressed. The concept "Sudanization" is adopted to define a historically ongoing key process which manifests itself in the arts. Also the term "specification" is used to describe alternative political and aesthetic discourses to define Sudanese identity such as the discourse of the Sudan People's Liberation Movement and other forces.