Bachmann und Wittgenstein. Versuch einer Annäherung

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The following contribution focuses on Ingeborg Bachmann’s reception of Ludwig Wittgenstein’s philosophy, particularly the central theses of his famous Tractatus logico-philosophicus, published in 1922. Her two radio essays from 1953, Sagbares und Unsagbares – Die Philosophie Ludwig Wittgensteins, and Ludwig Wittgenstein. Zu einem Kapitel der jüngsten Philosophiegeschichte show Bachmann’s deep understanding of essential aspects in Wittgenstein’s early philosophy. Bachmann was also responsible for the German publication of Wittgenstein’s Werkausgabe Band I, including the Tractatus and his second masterpiece Philosophical Investigations in 1960. On several occasions Bachmann mentions the influence Wittgenstein had on her. The text will focus on selected topics of his philosophy that also had a strong impact on Bachmann, such as his famous concept of the unsayable, the limits of language, or his understanding of the Western civilization and culture at his times.

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Aspect-seeing, I claim, involves reflection on concepts. It involves letting oneself feel how it would be like to conceptualize something with a certain concept, without committing oneself to this conceptualization. I distinguish between two kinds of aspect-perception:1. Preparatory: allows us to develop, criticize, and shape concepts. It involves bringing a concept to an object for the purpose of examining what would be the best way to conceptualize it.2. Non-Preparatory: allows us to express the ingraspability of certain experiences. It involves bringing a concept to an object for the purpose of showing—per impossible—what it would take to properly capture one’s experience. I demonstrate the usefulness of the two kinds of aspect perception in making conceptual judgments, and in making moral and aesthetic judgments.ReferencesSara Bachelard. On Euthanasia: Blindspots in the Argument from Mercy. Journal of Applied Philosophy, 19(2):131–40, 2002.http://dx.doi.org/10.1111/1468-5930.00210PMid:12747357Avner Baz. What’s the Point of Seeing Aspects? Philosophical Investigations, 23(2):97–121, 2000.http://dx.doi.org/10.1111/1467-9205.00116Avner Baz. On Learning from Wittgenstein, or What Does it Take to See the Grammar of Seeing Aspects? In W. Day Anew and V. J. Krebs, editors, Seeing Wittgenstein Anew, pages 227–48. Cambridge University Press, Cambridge, 2010.http://dx.doi.org/10.1017/CBO9780511750663.013Avner Baz. Seeing Aspects and Philosophical Difficulty. In M. McGinn and O. Kuusela, editors, The Oxford Handbook of Wittgenstein, pages 697–713. Oxford University Press, Oxford, 2011.http://dx.doi.org/10.1093/oxfordhb/9780199287505.003.0031Stanley Cavell. The Availability of Wittgensteins Later Philosophy. In his Must We Mean What We Say?, pages 44–72. Cambridge University Press, Cambridge, 1969.Stanley Cavell. The Claim of Reason. Oxford University Press, Oxford, 1979.Bob Dent. Why I Wanted to Die: Bob Dents Last Words. Journal of Applied Philosophy, 16(1):19–32, 1999.Cora Diamond. Secondary Sense. In her The Realistic Spirit, pages 225–41. MIT Press, Cambridge, Mass., 1991a.Cora Diamond. The Face of Necessity. In her The Realistic Spirit, pages 243–66. MIT Press, Cambridge, Mass., 1991b.Richard Eldridge. An Introduction to the Philosophy of Art. Cambridge University Press, Cambridge, 2003.http://dx.doi.org/10.1017/CBO9781139164740Juliet Floyd. On Being Surprised: Wittgenstein on Aspect-Perception, Logic, and Mathematics. In W. Day and V. J. Krebs,editors, Seeing Wittgenstein Anew, pages 314–337. Cambridge University Press, Cambridge, 2010.Geach, P.T. Mental Acts. Routledge and Kegan Paul, London, 1957.Immanuel Kant. Critique of the Power of Judgment, translated by J.C. Meredith. Oxford University Press, Oxford, 1952.John Locke. An Essay Concerning Human Understanding. Hackett Publishing Co., Indianapolis, 1996.John McDowell. Non-Cognitivism and Rule-Following. In S. Holtzman and C. M. Leich, editors, Wittgenstein: To Follow A Rule, pages 141–62. Routledge and Kegan Paul, London, 1981.Stephen Mulhall. Inheritance and Originality. Oxford University Press, Oxford, 2001.Jean-Paul Sartre. Nausea. New Directions, New York, 2007.David Seligman. Wittgenstein on Seeing Aspects and Experiencing Meanings. Philosophy and Phenomenological Research, 37(2): 205–17, 1976.http://dx.doi.org/10.2307/2107192Timothy Williamson. Vagueness. Routledge, London, 1994.Ludwig Wittgenstein. Tractatus Logico-Philosophicus. Routledge, London, 1922.Ludwig Wittgenstein. Philosophical Investigations. Blackwell, Oxford, 3rd edition, 1958.Ludwig Wittgenstein. The Blue and Brown Books. Blackwell, Oxford, 2nd edition, 1969.Ludwig Wittgenstein. Remarks on the Philosophy of Psychology. Blackwell, Oxford, 1980.Ludwig Wittgenstein. Culture and Value. Blackwell, Oxford, 1998.

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Studia Philosophiae Christianae
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  • Cezary Wozniak

The article discusses attempts to develop a conception of language in opposition to metaphysics in the of Wittgenstein and of Heidegger. Both Wittgenstein and Heidegger worked in the field of with the intention to overcome metaphysics. However, each of them understood metaphysics differently, and it resulted in different conceptions of language. In the first part, the author presents the major themes of Wittgenstein's of language, among them his formulation of metaphysics. Even if the ,,first philosophy of Wittgenstein is radically different from his ,,second philosophy, his position on metaphysics is stable: metaphysical statements are statements which violate the boundaries of sense (Sinn). In the Tractatus Wittgenstein aims at finding the limits of the world, thought and language, as well as distinguishing between sense and nonsense. The conditions for a proposition's having sense have been explored by Wittgenstein in the Tractatus: they rest on the possibility of representation or picturing. According to him, names must have a reference/meaning (Bedeutung), but they can do so only in the context of a proposition which is held together by logical form. It follows that only the factual states of affairs, which can be pictured, can be by meaningful propositions. This means that what can be said are only the propositions of natural sciences, leaving out of the realm of sense a daunting number of statements which are made and used in language. First, there are the propositions of logic. These do not represent states of affairs, and the logical constants do not stand for objects. ,,My fundamental thought is that the logical constants do not represent. That the logic of the facts cannot be represented (Tractatus logico-philosophicus 4.0312). Tautologies and contradictions, the propositions of logic, are the limits of language and thereby the limits of the world. They do not picture anything and do not, therefore, have sense, they are senseless (sinnlos). Propositions which do have sense are bipolar; they refer to the truth-conditions drawn by the propositions of logic.

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Darstellungen in The Principles of Mechanics and the Tractatus: The Representation of Objects in Relation in Hertz and Wittgenstein
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  • Kelly Hamilton

Ludwig Wittgenstein's conception of the role of objects in our philosophical understanding of the logic of our language is critical for his early philosophy in the Tractatus Logico-Philosophicus. While the important connections between Heinrich Hertz's Principles of Mechanics and Wittgenstein's Tractatus have long been recognized, recent work by Jed Buchwald has deepened our knowledge of the importance of the object-orientation of Hertz's scientiac work in a manner that should also deepen our understanding of the nature of objects in the Tractatus. I will argue that there are important ontological links, involving “a certain physical scheme, one that had powerful implications for thinking as well as doing”, between Hertz's work and Wittgenstein's early philosophy.

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Living Alone: Solipsism in Heart of Darkness
  • Oct 1, 2005
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  • David Rudrum

Living Alone:Solipsism in Heart of Darkness David Rudrum ". . . As if I could read the darkness."Philosophical Investigations, §635 We live, as we dream—alone."1 This, Marlow's most eminently quotable aphorism, encapsulates a theme central to the outlook of modernism: what Virginia Woolf called "the loneliness which is the truth about things."2 This loneliness derives not from the absence of others—Marlow is surrounded by friends when he makes this assertion. It is a deeper condition brought about by recognizing the limits of selfhood, by confronting or being confronted by them. This condition is central to Marlow's narrative predicament: he attempts to fathom the enigmatic self that is Kurtz, to understand "the tempestuous anguish of his soul" (HoD, p. 246); he is led, by this attempt, to question the nature of his own self; and, finally, he tries to relay the impenetrable essence of both these selves to the "other minds" of his narratees on the yawl Nellie. As we shall see, Marlow concedes defeat in all three of these struggles. Heart of Darkness, then, is a novel beset by the limits of subjectivity. It is also a novel which foregrounds the limits of language. Marlow concludes that we live in isolation from one another after musing on the failure of language to communicate adequately, to facilitate intersubjective understanding: "it is impossible to convey the life-sensation of any given epoch of one's existence" (HoD, p. 172), he says. [End Page 409] Conveying the meaning of his narrative to others is repeatedly written off as unattainable, and on numerous occasions Marlow, presumably wrestling with sheer wordlessness, falls silent.3 Indeed, Marlow's narrative is peppered with words highlighting the limits of language: words like "inconceivable" and "unspeakable," which F. R. Leavis famously dismissed as "overworked." Leavis described Conrad's "adjectival insistence upon inexpressible and incomprehensible mystery" as "worse than supererogatory," "tending to cheapen the tone" to a point "little short of disastrous." He concluded that Conrad was "intent on making a virtue out of not knowing what he means."4 That Leavis—a critic who fetishized "the concrete presentment of incident, setting and image" through the concrete use of words—should have failed to grasp and to value the novel's brush with wordlessness, is unsurprising (Leavis, p. 208). Nor is it surprising that two of the episodes in the novel that most clearly encounter the limits of language—Kurtz's last words and Marlow's lie about them—were written off by Leavis as examples of Conrad having a "bad patch" (Leavis, p. 208). Yet it is nevertheless instructive that a novel that insists on its linguistic and communicative limits should thus have been misread. This article reads these two issues of the limits of language and the limits of subjectivity together. To do so is to invoke a philosophical position in which language, selfhood and worldhood are interrelated, and their limits coterminous—a position found in the early thought of Ludwig Wittgenstein. I Like Marlow, Wittgenstein also sees the self as essentially isolated from other selves, and language as demarcating its limits. In his Tractatus Logico-Philosophicus, the interconnected remarks "The limits of my language mean the limits of my world" and "I am my world" delineate Wittgenstein's rethinking of the "egocentric predicament" in which, to paraphrase Marlow, we all live alone.5 This position entails a close relationship with solipsism: as Wittgenstein says, "what the solipsist means is quite correct" (TLP, 5.62)—which is not, of course, to suggest that solipsism itself is correct. The grammar of Marlow's assertion encapsulates this point. The card-carrying solipsist would assert "I live alone," but the loneliness that Marlow and Wittgenstein envisage is a [End Page 410] condition of our subjectivity that we all have in common, but cannot share. It is a transcendental solipsism. Nearly 300 years before Heart of Darkness was written, a poem by Robert Herrick anticipated some aspects of Marlow's assertion of transcendental solipsism: Dreames Here we are all, by day; By night w'are hurl'd By dreames, each one, into a sev'rall world.6 This poem makes explicit something left implicit in Marlow's...

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  • Research Article
  • 10.15388/litera.2009.4.7746
Stiliaus problema Ludwigo Wittgensteino filosofijoje
  • Jan 1, 2009
  • Literatūra
  • Darius Klibavičius

Straipsnyje nagrinėjama Ludwigo Wittgensteino (1889–1951) filosofijos stilistika paties autoriaus paskelbtuose veikaluose Tractatus Logico-Philosophicus (1921), Filosofiniai tyrinėjimai (Philosophischen Untersuchungen, 1953) ir pomirtiniame pastabų rinkinyje Kultūra ir vertybė (Culture and Value, 1980)

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