Abstract

OPINION article Front. Psychiatry, 08 August 2013 | https://doi.org/10.3389/fpsyt.2013.00086

Highlights

  • For his Bacchus (Figure 1), Michelangelo Merisi from Caravaggio (1571–1610) did not choose a model that resembles the classical idolized God of wine represented in the past

  • Using the symbolism encoded in the still life, Caravaggio was able to illustrate the psychological characteristics of alcoholic individuals

  • Caravaggio depicted the decreasing of inhibition and the increasing of seductive behaviors of the model by using eternal life symbolism

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Summary

Introduction

For his Bacchus (Figure 1), Michelangelo Merisi from Caravaggio (1571–1610) did not choose a model that resembles the classical idolized God of wine represented in the past. The wine, a Eucharistic symbol, could spill from the chalice held by the model and splatter from the carafe, which contains a small reflection of himself. The symbol of power, represented in fine arts by a crown, is in this figure illustrated by a crest of grapes and senescing leaves that reiterate the deterioration of life.

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