Abstract
"The end of the 19th century brought a major change in regards to humanity’s relationship with divinity and with the idea of creation. According to Friedrich Nietzsche, ‘God is dead’, so no one holds the supreme authority upon the creation act anymore. As a result, man himself began to create fictional worlds through logos, in order to fill the void left by the disappearance of divinity. Among the many methods that explain the generative process of these worlds there is the archetypal one from the Jungian psychology, the relational one from reader-response theories and the ‘chaotic’, theoretically objective one, based on hazard theories. Starting from here, this essay will try to analyze comparatively Michael Ende’s novel, The Neverending Story, and Jorge Luis Borges’ short story, The Library of Babel, with the purpose of exploring the contrast that is prefigured – at a structural, interpretive and text-reader relationship level – between the unconscious and the mechanical patterns of creating new worlds."
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