Abstract

Color and luminance expression of artistic master paintings is investigated by a digital vector scope and a wave form analyzer working on the digital reproduction of the original paintings. Examples are taken from the representatives of the 19th century Rococo-romantic school, the Romantic school, the early and late Impressionist schools including the Pointism and Symbolism paintings. The results are then compared in terms of the hue and chroma distribution pattern as well as of the brightness characteristics between two or more paintings.

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