Abstract
The robust connections between philosophy and avant-garde cinema are investigated, and four strong senses in which avant-garde films can be “philosophical” are clarified: as illustrating philosophy, as originating philosophy, as enacting philosophy, and as occasioning philosophical reflection. While avant-garde cinema may only rarely, if ever, be able to create innovative philosophy, it excels at producing rich, philosophically informed perceptual experiences for viewers. Moreover, unlike works of verbal philosophy, which are evaluated in terms of their truth value and whose significance is primarily epistemic, avant-garde films like other avant-garde artworks are admired mainly for their artistic inventions, and the chapter highlights through a range of examples how avant-garde filmmakers have employed imaginative and often novel techniques to communicate philosophical meaning and generate philosophical ideas.
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