Abstract
Around women artists in the group Cercle et Carré In 1930 in Paris, Michel Seuphor and Joaquin Torres-Garcfa founded the association Cercle et Carré. Alongside their male colleagues, French and foreign women artists collaborated to this avant-garde group. Committed to the artistic life and fed by different experiences, Marcelle Cahn, Franciska Clausen, Florence Henri, Nadia Chodasiewicz, Sophie Taeuber and Alexandra Exter, take an active part in discussions and research on abstraction to which they each add her own interpretation. Through the analysis of this progressive environment, the text observes the relationship between these plasticians women and other members of the group, and studies the activity, the situation of these women artists in this artistic context.
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