Abstract
Creativity research requires assessing the quality of ideas and products. In practice, conducting creativity research often involves asking several human raters to judge participants’ responses to creativity tasks, such as judging the novelty of ideas from the alternate uses task (AUT). Although such subjective scoring methods have proved useful, they have two inherent limitations—labor cost (raters typically code thousands of responses) and subjectivity (raters vary on their perceptions and preferences)—raising classic psychometric threats to reliability and validity. We sought to address the limitations of subjective scoring by capitalizing on recent developments in automated scoring of verbal creativity via semantic distance, a computational method that uses natural language processing to quantify the semantic relatedness of texts. In five studies, we compare the top performing semantic models (e.g., GloVe, continuous bag of words) previously shown to have the highest correspondence to human relatedness judgements. We assessed these semantic models in relation to human creativity ratings from a canonical verbal creativity task (AUT; Studies 1–3) and novelty/creativity ratings from two word association tasks (Studies 4–5). We find that a latent semantic distance factor—comprised of the common variance from five semantic models—reliably and strongly predicts human creativity and novelty ratings across a range of creativity tasks. We also replicate an established experimental effect in the creativity literature (i.e., the serial order effect) and show that semantic distance correlates with other creativity measures, demonstrating convergent validity. We provide an open platform to efficiently compute semantic distance, including tutorials and documentation (https://osf.io/gz4fc/).
Highlights
Creativity research requires assessing the quality of ideas and products
Our first set of analyses compared the relative prediction of human creativity ratings from additive vs. multiplicative compositional models of semantic distance
We found a moderate and negative correlation between the additive semantic distance factor and human ratings (r = -.37, p = .04), explaining only 14% variance in human creativity ratings
Summary
Creativity research requires assessing the quality of ideas and products. In practice, conducting creativity research often involves asking several human raters to judge participants’ responses to creativity tasks, such as judging the novelty of ideas from the alternate uses task (AUT). At the individual subject level, the authors found that semantic distance values in the cued creativity condition correlated positively with a range of established creativity measures, including human ratings of creativity on divergent thinking tests, performance on a creative writing task, and frequency of self-reported creative achievement in the arts and sciences. We extract common measurement variance across multiple metrics of semantic distance and test how well this latent factor predicts human creativity ratings.
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