Abstract
‘Authorship’ in Greco-Roman times must be understood as an interpretive, cultural construct. Writing activities were collective and participatory, and ranged, depending on the location and period, from courtiership to editorial, translation and facilitation work to entertainment to legal practice to education, embedded in pre-print contexts without the judicial and social institution of copyright. Whatever it was that ancient authors did when they wrote down and diffused thought, ‘authorship’ in antiquity must not be seen along the lines of modern, romanticist projections of the solitary, brilliant individual.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
