Abstract

AbstractOswald Egger presents himself as both poeta vates and poeta doctus, challenging his readers with texts that have often been described as hermetic and thus hermeneutically inaccessible. In recourse to mathematical (topology) and philosophical (Johann Georg Hamann) contexts, the essay shows how poetry on the one hand, science and erudition on the other hand intersect in Egger’s texts in an aesthetically and hermeneutically ambitious way.

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