Abstract
In Hindu society, the singing of auspicious songs by women who are themselves auspicious has been a feature of religious ritual in villages, temples and palaces. One such tradition survives at the royal court in Kathmandu, Nepal. This tradition is described, its ritual functions are compared with other traditions of auspicious female singers, and its musical characteristics are compared with other genres of Nepalese music. The evidence suggests that both the women themselves and the songs they sing are inherently “auspicious”, and that their music is related to a specifically ritual stratum of Nepalese music.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.