August 1961: Christa Wolf and the Politics of Disavowal

Abstract

Throughout her career Christa Wolf has circumvented any explicit reference to the Berlin Wall. Although Der geteilte Himmel reaches its climax in the summer of 1961, the Wall does not figure in this novel. None the less it provides a framework for the narrative through its absence. Wolf’s latest novel, Medea, also organises itself around the tropes of walls and borders. Today, forty years after Berlin’s division, one could easily dismiss Wolf’s writing because of her ‘blind spot’vis‐á‐vis the Wall. But to do so would forfeit Wolf’s subtle handling of literary representation, prohibition, and disavowal. This essay argues that Wolf’s elaborations of disavowal play a critical (but as yet unexamined) role in the continuing debate over the politics of memory that has come to define German studies. Freudian theories of repression and fetishism are engaged to discern the structures of disavowal that give form not only to Der geteilte Himmel and Medea, but also to Wolf’s most important writings on ethics, ‘Selbstanzeige’ and ‘Nagelprobe’. The essay concludes that authentic memory does not reconstitute a homogeneous image of the past. Rather, as Wolf demonstrates, it reawakens the antagonisms that forever thwart the resolution of and in any narrative.