Abstract
The way of communicating that the Cádiz carnival has makes it a versatile cultural manifestation. Throght the transcription and viewing of coplas we extract how the authors interpret phenomena of popular culture such as superheroes, characters from movies or romantic literature and turn them into carnival groups combining phenomena of different origin. This gives rise to another cultural product through the palimpsest (Genette) and the appropriation of signs and symbols. We show how a popular hypercultura is produced through the representation and writing of coplas.
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