Abstract

Audio description remains the cornerstone of accessibility for visually impaired audiences to all sorts of audiovisual content, including porn. Existing work points to the efficacy of audio description to guarantee immersion and emotional engagement, but evidence on its role in sexual arousal and engagement in porn is still scant. The present study takes on this challenge by comparing sighted and visually impaired participants’ experiences with porn in terms of their physiological response [i.e., cortisol and heart rate (HR)] and self-report measures of affect [Positive and Negative Affect Schedule (PANAS); Watson et al., 1988], anxiety [State-Trait Anxiety Inventory (STAI); Spielberger et al., 1970], sexual reactivity and arousal [Sexual Inhibition/Sexual Excitation Scale (SIS/SES); Moyano and Sierra (2014); and the Ratings of Sexual Arousal (RSA); Mosher (2011)], and narrative engagement or transportation [The Transport Narrative Questionnaire, Green and Brock (2013)]. 69 Spanish participants were allocated into three different groups: 25 sighted participants who watched and heard the porn scenes in their audio-visual version (AV); 22 sighted participants who listened to the audio described version without images (AD); and 22 visually impaired participants who also listened to the audio described version without images (ONCE). Overall, results on physiological and self-report measures revealed no significant differences between groups or different versions of the clips. The analysis of cortisol reactivity to porn as the maximum increase or decrease in cortisol (t+12) with respect to baseline values (t−20) revealed no significant differences between the groups, but pointed to a higher percentage of non-responders than responders in the three groups, the highest being found in the ONCE group. As for participants’ cardiac response to the clips, no significant differences were found across the groups, with the highest HR levels being registered in the baseline phase. Self-report measures revealed significant between-group differences in negative affect. The ONCE group displayed the highest pre-task levels of negative affect and was the only group that showed a decrease in negative affect after exposure to the clips. Sighted and visually impaired participants reported to be moderately aroused and immersed in the films, regardless of exposure to AV or AD porn. In addition, correlations found between participants’ levels of self-report sexual arousal and transportation and post-task affect pointed to a positive relationship between exposure to porn and perceived levels of sexual arousal and affect. Results from the study reflected the efficacy of audio description in providing sighted and visually impaired audiences with a similar experience to that offered by original AV porn scenes. This study is exploratory but provides valid, initial groundwork for further research on the impact of audio description on porn reception.

Highlights

  • Accessibility is one of the major challenges of the 21st Century

  • The univariate ANOVA revealed no significant differences between the groups [F(2; 66) = 1.69, p = 0.19, η2p = 0.04], but the analysis pointed to a higher percentage of non-responders in the three groups, the highest being found in the ONCE group: AV

  • Notwithstanding the limitations mentioned above, the present paper offers the first study on the emotional reception of AD porn

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Summary

Introduction

Accessibility is one of the major challenges of the 21st Century. The quest for a more global and inclusive world has brought about the desire to make products, services and even entertainment accessible to all people, regardless of their abilities. Books have been recorded in audio for those with vision loss, for lovers of multi-tasking, or even to combat loneliness or commuting boredom. Film dialogs have been made readable in subtitles for those with hearing loss or language proficiency issues, and film images have been audio described for visually impaired audiences. Figures show that more than 30 million blind and partially sighted citizens in Europe are estimated to have poor access to audiovisual media services such as broadcast television, TV equipment related to digital television services, e-books, and e-commerce relevant for purchasing tickets for cultural events (European Accessibility Act, 2018)

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