Abstract
Within the communicative possibilities of graphics, we focus on the challenge proposed by choreographic notation. This practice combines the technical, the artistic and the semiotic in an attempt to retain the volatility of gesture. To address this choreographic relationship, we study public art pieces that rely on graphic language to reach the users of urban space. These allow us to identify which elements, common in the context of the city, are recovered from a choreographic vision to activate citizens' reflection and attention and to propose new uses for the spaces they pass through. In recent decades, dance and movement have gained a place in public space through institutional mediation. In response to this reality, we seek to understand how graphics is proposed as a mediating language between cultural spaces and the dwellers of the city.
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