Abstract

This chapter examines the transnational movement of bodies, fashions, phantasies, and memories between colony and metropole by focusing on the fiction of Tirto Adhi Soerjo and Louis Couperus as “situated testimonies” in fin-de-siècle Dutch and Dutch Indies literary archives. It compares Dutch metropolitan culture as portrayed in Couperus's novels of Den Haag with Dutch Indies colonial culture as depicted in the novellas and short fiction of Tirto. It explores the themes of colonial modernity and sexual degeneracy that permeate the works of both authors, producing dread and melancholia in Couperus's writings and haunting anxiety in Tirto's fiction. It also situates Tirto's Malay-language writings in another kind of minor literature: that written in the Sino-Malay language, or what Pramoedya Ananta Toer calls lingua franca Malay. Finally, it discusses the implications of Couperus's study of melancholia and darkness for scholars of psychoanalysis, colonialism, and Sigmund Freud.

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