Abstract
Surveys consistently show that blacks and whites watch dramatically different network television programs. Indeed, since the arrival in 1987 of the Fox network with its army of black sitcoms, and the UPN and Warner Brothers networks in the 1990s, none of the ten programs most watched by African Americans are among the top ten favorite shows of whites (Farhi). The shows watched by whites are overwhelmingly series that feature largely white casts and act out what could arguably be called “white story lines.” In direct contrast, the shows watched by African Americans feature, to no great surprise, largely black casts who act out scripts that oscillate between “ethnicized” white story lines and creative black narratives (albeit filtered through the prism of television formula norms).
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