Abstract
Malory assembled a unified work from fragments French and English, adding original elements. His immediate audience was a few solo readers, no silent readers. Neither in 1469/70 nor in 1485 (Caxton's edition) were the various fragments of the Morte Darthur an assemblage. Malory's work, like Chaucer's, requires audience assembly. (DTH)
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
