Abstract
This study explores the management and accounting requirements that international development Non-governmental organizations (NGOs) adopt to be eligible for grants. More specifically, based on interviews conducted with state funding agencies, international NGOs, and Guatemalan and El Salvadorian NGOs and analysis of their reports to funding agencies, the article describes funding requirements and explores how they are implicated in the transformation of the social justice movement assemblage: components of which are technically and administratively rearticulated as components of the international development assemblage. This transformation is explained through Deleuze and Guattari’s (1987) ‘state-form’: a mode of governing whereby “state apparatus of capture” hierarchically stratifies an assemblage by enrolling components of the social movement (territorialisation), arranging them through homogenizing administrative categories (coding), and enabling an emergent functional totality (overcoding) that has had the effect of, what some interviewees referred to as, ‘disarticulating the social movement.’ There is however contestation, as strategies are employed by NGOs to leak financial and political resources to organizations that would otherwise not be eligible for funding. This study seeks to extend the work that has critically examined the role of NGOs in the social justice movement and the role of state modes of governance in this process. It emphasizes the impact of management and accounting controls on the constitution and transformation of assemblages and NGOs’ advocacy and mission.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.