Abstract
One of the relevant remarkable characteristics of Rubem Fonseca’s fiction is to disbelieve the “truths” of the characters, disbelieving the language which build them up. For this reason it is fundamental to go in contact with the reality through the ways of expression of the own protagonists that come out of different social urban extracts. The objective of this work is to exam the question of the farce articulated at the problematic of the reified and mythical language, in “Passeio noturno – parte I” and “Passeio noturno – parte II”. In the narrator-character (“I” as protagonist) of these short stories, the bourgeois coexists with the criminal. It is only the style that denounces them as the same “person”.
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