Abstract
The celebration in honor to Tiradentes, at the Parana State Police Force, between 1977 and 1983, made it possible to problematize the existence of a memory and a genre institutional identity, which is related to the ideals of the Superior School of War and the Brazilian Military Regime. The existence of a Female Police Force since 1977 did not change the memory and institutional identity characterized in these homages to the Brazilian Military Police Patron, for the Military Police is still being presented as a space destined to men such as Tiradentes.
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