Abstract
In this paper I shall address the theme Comment le mal vient aux hommes ? in what might seem an unorthodox manner. Rather than consider any primarily metaphysical or theological issues involving le mal, I shall be pondering the rather more material, physical, or corporal issues affecting the theme, and its repercussions for Anglo-French relations in and around the work of Shakespeare. For this approach, I take my cue from Michel Foucault who, throughout his Folie et deraison (1961), but also...
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