Abstract
This article explores Palestinians’ representations in visual art of the existential crisis they faced following the destruction of Palestinian society during the 1948 War, known as the Nakba. The article explores how this colossal event has been conveyed artistically, and discusses artworks that revolve around Palestinians’ subsequent states of being, which are represented by two main motifs, the ‘good Arab’ and the cactus tree. In particular, it assesses how these motifs were used to convey varied, and even opposite, states of being and consciousness, as well as survival strategies, that go beyond commonplace views and perceptions about Palestinians in Israel after 1948. Moreover, this article discusses how the allegorical language of these artworks augments their meanings and might open a window into the world of the Palestinians, who lack archives, official historical narratives, and institutions of remembrance.
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