Abstract

What brings the two halves of our expanded, double issue together, other than rigorous scholarship and shared commitment to our growing field, is this moment of crisis and change. During our editorial process, the world went into quarantine, and like many art scholars we found ourselves asking how the journal’s field-building aims would contribute to the resilience of arts organizations facing an unparalleled crisis. This editorial gathers those voices and shares their message of both distress and hope.

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