Abstract
SummaryRecent years have witnessed the formal acknowledgement of the privileged position from which decorative media in Iron Age Britain have traditionally been studied. Tension remains, however, between the study of the decorated metals that formed the basis for models of Celtic expansion, and decorated non‐metals. Despite the general paucity of decoration in Iron Age Britain, decorated non‐metals are still not viewed in the same light of social significance as metals. This paper will examine weaving combs from Glastonbury Lake Village, highly decorated objects of antler and bone. By concentrating on the fabrication and display of weaving combs, I aim to highlight the potential significance of the aesthetic effects of these objects.
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