Abstract

This article explores the forms and functions of contemporary interreligious dialogue by focusing on artists who are active in this field. They represent different art forms and different religious positions: with their roots in Judaism, Christianity and Islam they have opted for a variety of positions, ranging from traditional adherence to renunciation of a personal religious engagement, or a fascination for new forms of religiosity. The aim is to critically examine interreligious dialogue and to provide an alternative perspective on the topic, based on both theoretical and empirical analyses. The article seeks an understanding of how persons engaging in creative forms of dialogue formulate a dialogic worldview in a religiously plural and post-secular context and what motivates them to engage in dialogue. Traditional normative theories of interreligious dialogue are hence called into question. Critical attention is brought to the narrow focus on dialogue as a purely intellectual quest for making the religious other, as a coherent theological and historical entity, intelligible. A contrasting view of dialogue as a question of interpersonal ethics is introduced, inspired primarily by the philosophy of Buber. Also the works of Habermas, Gadamer, Levinas, Løgstrup, Wittgenstein and Gaita are central to the research.Ruth Illman is a senior researcher at the Donner Institute in Åbo and Docent in comparative religion, Åbo Akademi University. Website:http://web.abo.fi/instut/di/english/ruth.html

Highlights

  • Conversations across boundaries of identity – whether national, religious, or something else – begin with the sort of imaginative engagement you get when you read a novel or watch a movie or attend to a work of art that speaks from a place other than your own. . . . I stress the role of the imagination here because the encounters, properly conducted, are valuable in themselves

  • Imagin­ative elements formulated within the context of art can provide significant starting points for such transformative practices, he claims

  • : the imagination can contribute to understanding the other; it is a hermeneutic aid in interpersonal relations as well as in scholarly analyses of otherness

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Summary

Creative approaches to interreligious encounters

This article explores the forms and functions of contemporary interreligious dialogue by focusing on artists who are active in this field. They represent different art forms and different religious positions: with their roots in Judaism, Christianity and Islam they have opted for a variety of positions, ranging from traditional adherence to renunciation of a personal religious engagement, or a fascination for new forms of religiosity. Traditional normative theories of interreligious dialogue are called into question. Critical attention is brought to the narrow focus on dialogue as a purely intellectual quest for making the religious other, as a coherent theological and historical entity, intelligible. The works of Habermas, Gadamer, Levinas, Løgstrup, Wittgenstein and Gaita are central to the research

Introduction
Artists and creative dialogue
Field Literature Multimedia art Music Visual art Music Literature
Art as a material dialogic arena
Jordi Savall
Multimedia artist Marita
Chokri Mensi
Conclusion
Full Text
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