Abstract

The artistic tapestry from the first years of the third decade of the 21st century, highlights a series of particularities and valuable aesthetic valences that confirm the ascending character of the creation in the mentioned field. The natural processes of supplementing the creative potential with representatives of the new generations of plastic artists had a beneficial influence on the diversification of the thematic repertoire, the syntactic register and the methods of technological realization of textile works. As a result of some creative morphological-syntactic and technological experiments undertaken by plastic artists, the works of textile art of the examined period were endowed with aesthetic expressions and messages that mirror the areas of artistic interest and themes towards which the creators directed their attention at the time. The aesthetic values promoted by the smooth weaving technology, widely practiced by plastic artists in the previous decades, were accompanied in a new way by values coming from the symbiosis of the mentioned technology with the technique of felting, embroidery and crocheting, as a result of which, the mixed techniques of creating the image found a prominent plastic promotion in the period in question. In turn, the semantic allure generated by the textile works in the given period was ensured, on the one hand, by the stylistic-compositional, textural and chromatic way of creating the image and, on the other hand, by the associative values and the metaphorical-symbolic substrate of the work .

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