Abstract

The common factor between art, dream, and psychoanalysis is, therefore, the possibility and the need for the creation of conditions favourable for the emergence, acceptance, and elaboration of a creative vortex. The creation of an internal creative state, endowed with a specific "surplus-value" propitiates the transmutation of the subject's innermost intimacy into a valuable object of art. One can view art as the result of a long, painful, and complex intentional psychic work, comparable to a process of "impregnation, gestation, and childbirth". Every artistic object necessarily has an aesthetic and a dramatic dimension—these are the dimensions that the public is looking for, these are the dimensions that the author has to reveal at a superlative level. The artistic labour or artistic process uses specific expressive techniques, to transform internal representations pregnant with artistic potential, resulting from particular cycles of disturbance/turbulence/psychic re-equilibrium of the author into external artistic objects.

Full Text
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