Abstract
Debuting in the artistic tapestry of the Republic of Moldova in the first half of the seventh decade of the twentieth century, the painter Carmela Golovinova, facilitated the development of this field and the promotion of weaving art in the republic and abroad. Evolving over time, the artist's creation has been continuously enriched with new and valuable thematic, technological and semantic values. Through her work, the painter contributed to the revaluation of some aesthetic landmarks of the popular plastic art and their inclusion in current works, meritoriously supplementing the repertoire of our reference works with original aesthetic values. During the years of creation, the artist's tapestries evolve from works made in increased format with monumental functions to the chamber format and solving complex structural compositional and semantic problems in which the image is endowed with important metaphorical-symbolic connotations.
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