ARTISTIC EXPRESSION OF CARICATURES OF PEOPLE'S ARTIST HUSEYNGULU ALIYEV

Abstract

In Huseyngulu Aliyev's works, we always see the successful expression of harsh color transitions, tonal spots, light effects, instant glare in the formation of dynamism, as well as the artist's unique creative position with different compositional structures in the more exciting presentation of these effects. In his work "Molla Nasreddin", which is currently preserved in a private collection in Norway, the artist expressed the deep expression of dynamism in the composition, both in the intensity of movements, sudden jumps, hymns of speed, and the contrasting transition of colors from light to dark or vice versa. It is interesting to recreate the artistic solution of the instantaneous plot in which the fruit of the old man, sitting on a fast-running donkey, spreads in the air and begins to scatter in the air. The clear language of caricatures created by Huseyngulu Aliyev, which combines both matte and bright tones of colors such as green, yellow and brown, is very thought-provoking due to their mobility and dynamism. Created in 1993, the interesting language of expression of the works, which is a vivid example of the idea mentioned in the cartoons with ink and pen, attracts attention. In "Unsuccesfull" the intention of a thief in a black mask to plunder the country, but before that the looting of these places ended in the failure of his plan. The astonishment of the robber looking at the empty baskets and glasses scattered on the ground makes it possible to imagine the facial features he covers. The clear language of caricatures created by Huseyngulu Aliyev is also very thought-provoking due to their mobility and dynamism. Created in 1993, the interesting language of expression of the works, which is a vivid example of the idea mentioned in the cartoons with ink and pen, attracts attention. In "Unsuccesfull" the intention of a thief in a black mask to plunder the country, but before that the looting of these places ended in the failure of his plan.The astonishment of the robber looking at the empty baskets and glasses scattered on the ground makes it possible to imagine the facial features he covers. Among the graphic examples created in the mentioned period, the unique composition of the work "Roads" attracts the attention of the audience with its interesting composition, which has a great meaning. The artist sang the song of a long way with the movement of crowded people in the same direction. The march of people who join the movement on an empty background expresses their common thinking and will. Here, the artist has successfully implemented mass thinking, not where and why the roads go. It is well-known that art, which came to art by chance, but managed to introduce itself in any way, has gained popularity in our time. The artist's very interesting and humorous composition in his caricature "Patriot of art" created about 20 years ago is dedicated to this type of "artists". The stage hymn of the performance of a long-eared man holding his tambourine in his hands in an artistic form clearly expresses the artist's purpose. The solution of the symbolic meaning given to some scenes of life by the artist using folk sayings in the unique compositional structure gives the basis to evaluate the artist's creativity by presenting it in a different form in each work. For example, in his 2001 work, “They Make the Old Moon a Star”, he praised an astrologer sitting on his back with his head cut off and turning the old moon into a star in the sky. The artist was referring to people who were ungrateful and apostate (Figure 2.91). In Huseyngulu Aliyev's caricatures, artistic exaggerations, different assessments of events or directing them in accordance with the content of the work are of interest as creative extraordinary creative discoveries. For example, the artist, who turned a fragment from the world-famous sculptor Auguste Rodin's "The Thinker" into the content of the painting, watched the two snakes collide, fight, and try to poison each other, thinking deeply about world events. Here, the sharpness of the artistic generalization in such a difficult scene as the destruction of the same sex makes the viewer think (Figure 2.96).