Abstract
Abstract How should we appreciate conceptual art? Indeed, can conceptual art really be valuable as art? These are taken to be hard questions within contemporary philosophical aesthetics. If there’s no artfully constructed or styled material object to appreciate, if there’s no beauty or other aesthetic qualities to savour, if there’s no insight to be gained in an experience with a work, how can it be artistically valuable? Indeed the worries about conceptual art articulated by philosophers tend to be shared by many ordinary art lovers. Yet if we look at contemporary artistic practice there hardly seems to be an issue here at all. Artists are happy enough to produce canvases with text only printed onto them, put together slogans lit up in neon, or enter as an exhibit for the Turner Prize an empty room with the light turning on and off.
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