Abstract

Architecture and music have a potential to trigger similar psychological effects in people due to commonalities in artistic and structural properties. Current studies exploring the relationship between architecture and music have often focused on analyzing how music can inspire architectural design, but there have been a lack of studies exploring artistic and structural commonalities between architecture and music in such a context. Therefore, this study adopts semiotics and analogy as an interdisciplinary approach aiming to comprehensively investigate connections and commonalities between architecture and music, particularly in terms of design forms and organization patterns. Using the architecture of the Forbidden City, and the musical piece Palace Memories, as selected cases for this study, this research demonstrates how both of the cases’ artistic forms can be translated into structural similarities in terms of both architecture and music. The results of this study reveal significant commonalities in forms and patterns across the fields of architecture and music for the selected cases. This study provides new perspectives for better understanding potential connections between the two fields, and how each may shed new light and provide surprising insights on the other.

Full Text
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