Abstract

AbstractThis article explores the objects that were left as identifiers for the children abandoned to London's Foundling Hospital in the eighteenth century. Required by the hospital in order to permit a future reclaiming by a parent and to guard against a charge of infanticide, these tokens fulfilled an institutional priority. The token procedure, this article argues, resulted in a class of objects that can be aligned closely with elegy. Occasional objects, the tokens communicate maternal affection and a sense of dislocation. As distillations of grief and imaginative framings of loss, the foundling tokens constitute eighteenth-century artifacts of elegy.

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