Abstract

Abstract The importance of overlapping coordinated gestures in achieving the auditory goals of speech is considered. Articulatory synthesis can help our understanding of the coordination problems and the variety of solutions found by real speakers. The time required to perform specific essential gestures, such as abduction-adduction of the vocal folds for fricatives, imposes strong timing constraints. In different speech sequences different articulators act as the duration-determining factor (DDF). Timing variability needs to be modelled also. Further experimentation is needed to determine whether increased speaking rate more nearly retains constant phase or constant absolute durational separation of articulatory events and whether or not some gestures can disappear under the relaxed auditory criteria of a casual style of speech. Two examples are presented, from the Leeds articulatory modelling, of the ways in which the phonological system of the language interacts with the processes and constraints of the speech production system to yield context-dependent variation for individual phonemes.

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