Abstract
The author proposes, for this edition's videography, a reflection on cinematographic language: how does cinema talk about itself, tell its own story and show itself as a language. for this, it emphasízes world cinema classics such as: Kid Auto Races at Venice and Behind the Screen, both by Charles Chaplin; Elias Kazan's The Last Tycoon; François Trufíaut's La Nuit Americaine, Luis Bufiel's CAge d'Oc Robert Wiene's The Cabinet of Dr: Caligari; and, finally, Fritz Lang's M. The vampire of Dússeldoff
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