Abstract
The present article researches upon the influence of the phenomenon of publicity as configuration element of the urban essence in the work of the sketcher and painter Nicolas Gless. In his work, publicity and graphic design surpass the role of ornament to become a hyperbolic feature of modern societies. Some relating to a profound knowledge of artistic movements of XX century and a visual language close to the comic, crystallize into a series of urban landscapes style that is known as “electrographic landscapes” . It is a paradigmatic case of mutual influences between art and publicity prevailing since the middle of XIX century.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Pensar la Publicidad. Revista Internacional de Investigaciones Publicitarias
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
