Abstract

For centuries, poems and songs have been utilized to criticize oppressive and violent regimes, eliciting emotions and aiding the public in coping with hegemony. Rap and hip-hop, blending poetry and music, have emerged as powerful tools for combating oppression and marginalization. Despite the misconception that loud, aggressive music may incite violence, recent research disproves this notion. This study employs Sigmund and Anna Freud's psychoanalytic theory, focusing on defense mechanisms and free association, to analyze data. The study reveals that poets and artists across cultures, including Arabic culture, have employed rap and hip-hop as a means of cultural resistance, fostering a collective identity among young individuals to enhance their understanding of themselves and their culture. The study argues that rap and hip-hop serve as peaceful tools of resistance and function as a therapeutic outlet for managing anger, contrary to claims by some critical theorists that they stimulate violence in society.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.