Abstract

Teachers in many college art departments offering practical training find themselves faced with trends that they view with concern. Sometimes these may be strong enough to show in a falling off of the volume of students. More often, a growing general dissatisfaction may be discovered that manifests itself in a number of ways: a lessening of active interest, resulting in lowered standards; over-specialization in a peripheral field, as a form of protest against an unsatisfying general school program; or the development of affectations that show the students as social misfits and that arouse suspicion elsewhere as to the purpose of art education or training.

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