Abstract
A review article of Mary K Coffey's How Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State. This article is a discussion of the interaction of art and politics in Mexico in the post-revolutionary decades, focusing on the development of three museums, the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum. It considers how the works of Diego Rivera, David Alfaro Siquieros and José Clemente Orozco are seen in the discussions of art historians Mary Coffey and David Craven.
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