Abstract
Excessive and conspicuous repetition was a fundamental component of Teuvo Tulio’s authorship. Even though Tulio’s film career spanned over thirty years, his melodramas changed remarkably little. Being difficult not to notice, Tulio’s repetitions have received a lot of critical attention. But the extent to which repetition characterises his oeuvre and the various ways in which he uses it have not been systematically analysed. This chapter explores how repetition in its many modifications contributes to Tulio’s film style making it not only recognisable but also aesthetically rewarding
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