Abstract

Recently, attempts have been made to integrate artists from the outset into projects relating to landscape planning and landscape architecture, such as the competition for BUGA 2001 (National Garden Show) in Potsdam. 15 years ago attempts by the artists to create new paradigms in the relationship with nature and the countryside were ridiculed. Pioneers of a new role pattern for the artist include Robert Smithson who, as an artist, 30 years ago recognised new landscapes in disused industrial sites, as well as the husband and wife team, the Harrisons, who were both professors in landscape architecture. The example of two art exhibitions by the Harrisons, one on the establishment of a bio-diversity protective ring around the “green heart of Holland” and the other on the “endangered meadows of Europe”, serves to explain to what extend artists like these can be artistically creative in the future if they join forces with all landscape experts in a new team understanding of collaboration. These are therefore pr...

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