Abstract

While the current day and age marked by a booming globalization is ceaselessly calling for an expansion of the field of vision where the prefixes “post” and “trans” have pride of place, the moment has come for the art historian to size up the past century. If it is time to take stock, what could be more tangible than to start with the huge art production of a single country, in this instance, France? By delivering a very dense overview, Philippe Dagen revisits French art under the sign of dou...

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call