Abstract

It is noted in the article that art historical research occupies a prominent place in the scientific discourse. The work on the identification of obscure views on music as a phenomenon in the cultural and anthropological tradition of music is carried out. It is proved that scientists interpret the painting as a semiotic system with its special image code, the information of which can be decoded. The secondary verbal expression of such messages in the text of art is possible due to the mechanism of interpretation. It is concluded that the non-verbal type of artistic creativity is comprehended by the subject in the form of the inclusion of the mechanism of reception, evaluated, transformed into a verbal code, and thus interpreted.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.