Art History, ‘National Art’ and Iranian Intellectuals in the 1960s

Abstract

The 1960s were undoubtedly the most culturally productive period in the contemporary history of Iran. During these years, artistic trends as well as art historical practices attempted to present the idea of national art, while the intellectual atmosphere was charged with the conflicting ideologies of the Cold War. The Pahlavi state's cultural policies, based on its pro-Western and at the same time nationalist visions, were in contrast with most intellectuals' attitudes towards art, which mainly followed leftist ideologies. Within such an ideologically charged space, the idea of combining Euro-American modernism and traditional views formed the dominant discourse of modern Iranian art. This article maps the interconnections among artists, art historians and cultural custodians in 1960s Iran, and explores the ways in which nationalist, nativist, modernist and communist-Marxist ideologies influenced the artistic trends as well as art historical narratives. After focusing on the ways art history was introduced through Orientalist viewpoints in Iran, the article will shed light on the role of visual artists within the intellectual community of the 1960s. The idea of ‘national art’, epitomised in the movements of Saqqa khanih and Talar-i Iran, will then be analysed. Finally, the article will evaluate these artistic activities within their ideological framework.