Abstract

The paper gives a history of the development of art history in South Africa and shows how it initially was elitist, projecting the white mythology of Western man onto the South African situation. South African art historians used to concentrate on the internal development and autonomous nature of art to be discovered through an exposition of the uniqueness of the individual artist. A modernist form-orientated approach characterized much of the early writing and a clear distinction was made between high art and popular crafts. From the 1980’s, with the establishment of an Art Historical Association, the situation changed considerably. A new revisionist approach introduced a new cross-cultural awareness and appreciation of art and opened the discipline to modern art historical methods. The continuation of this development in South Africa, in which quality and efficiency are assured, can only benefit from the collective assistance of the international academic community.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.