Abstract
The text is an attempt to look at art history from the perspective of cultural ontology. Science in general and art history in particular are seen as a kind of practice whose specificity gives identity to particular groups of sciences and disciplines. The practice of the humanities, including art history, is specifically related to signification and is carried out from within axiological situations. A reference to meanings (senses and values), constitutive for the humanities, is made, among other things, through the use of thick concepts, i.e. concepts that are both value expressing and descriptive. As I see it, art history uses specific thick concepts which make it possible to distinguish it from other humanistic disciplines. Seeing the integrating factor in the practice of art history makes it possible, at the same time, to preserve its theoretical openness which corresponds to the openness of human praxis, including artistic praxis.
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