Abstract
The paper reviews and attempts to define artistic practices implemented in the areas of science, technology and business – perceived as research tools and used as a medium in communicating the results of scientific research. In order to achieve the assumed goal, the examples of selected artistic practices conducted by scientists and curators working for scientific, research and cultural heritage institutions as well as artists operating on the verge of art and science have been presented. The aspect related to the impact of contemporary arts in the public space has also been discussed. The preliminary analysis of these examples helped formulate the thesis about the growing role of artistic practices as research tools and the medium of communication in many fields of science, institutional and non‑institutional practices not directly related to the area of art.
Highlights
Krzysztof LangInterdisciplinary Doctoral School at SWPS University of Social Sciences and Humanities in Warsaw
In the process of expanding the knowledge barriers of the modern world and creating new competences, the increasing number of artistic practices find application in many areas of science, acting as research tools actively communicating study results
The article is an attempt to analyse these phenomena on examples of selected artistic practices carried out by scientists and curators for scientific and research institutions, as well as artists themselves operating on the verge of art and science
Summary
Interdisciplinary Doctoral School at SWPS University of Social Sciences and Humanities in Warsaw. The paper reviews and attempts to define artistic practices implemented in the areas of science, technology and business – perceived as research tools and used as a medium in communicating the results of scientific research. In order to achieve the assumed goal, the examples of selected artistic practices conducted by scientists and curators working for scientific, research and cultural heritage institutions as well as artists operating on the verge of art and science have been presented. The aspect related to the impact of contemporary arts in the public space has been discussed. The preliminary analysis of these examples helped formulate the thesis about the growing role of artistic practices as research tools and the medium of communication in many fields of science, institutional and non‐institutional practices not directly related to the area of art
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